When Stories Travel
Cross-cultural Encounters Between Fiction and FilmeBook - 2012
Written in a highly academic style, this book looks at the adaptation of creative material from fiction to film as a cross-cultural encounter; as in language translation, artists from different cultural and creative traditions meet. The author, Cristina Della Coletta (Italian, U. of Virginia), also engages translation and adaptation within this book in more literal ways. Her topics include film from US, Italian, French, and Argentine sources: Visconti adapting James M. Cain, Fellini adapting Poe, Alain Corneau adapting Antonio Tabucchi, Bertolucci adapting Borges. In order to talk about these cross-cultural encounters in both language and media, the author relies on hermeneutic theory. The book is designed to stimulate cross-disciplinary conversation in film and media studies, cultural studies, and literature. While the style of writing is more straightforward than passive-voice critical theory, all readers will need to be comfortable with hermaneutics and familiar with the usual suspects of intellectual critical theory (Freud, Bakhtin, Levi-Strauss, etc). Annotation ©2012 Book News, Inc., Portland, OR (booknews.com)
Johns Hopkins University Press
Adapting fiction into film is, as author Cristina Della Coletta asserts, a transformative encounter that takes place not just across media but across different cultures. In this book, Della Coletta explores what it means when the translation of fiction into film involves writers, directors, and audiences who belong to national, historical, and cultural formations different from that of the adapted work.
In particular, Della Coletta examines narratives and films belonging to Italian, North American, French, and Argentine cultures. These include Luchino Visconti’s adaptation of James M. Cain’s The Postman Always Rings Twice, Federico Fellini’s version of Edgar Allan Poe’s story "Never Bet the Devil Your Head," Alain Corneau’s film based on Antonio Tabucchi’s Notturno indiano, and Bernardo Bertolucci’s take on Jorge Luis Borges’s "Tema del traidor y del héroe."
In her framework for analyzing these cross-cultural film adaptations, Della Coletta borrows from the philosophical hermeneutics of Hans-Georg Gadamer and calls for a "hermeneutics of estrangement," a practice of mediation and adaptation that defines cultures, nations, selfhoods, and their aesthetic achievements in terms of their transformative encounters.
Stories travel to unexpected and interesting places when adapted into film by people of diverse cultures. While the intended meaning of the author may not be perfectly reproduced, it still holds, Della Coletta argues, an equally valid and important intellectual claim upon its interpreters. With a firm grasp on the latest developments in adaptation theory, Della Coletta invites scholars of media studies, cultural history, comparative literature, and adaptation studies to deepen their understanding of this critical encounter between texts, writers, readers, and cultural movements.