The Topography of Modernity

The Topography of Modernity

Karl Philipp Moritz and the Space of Autonomy

eBook - 2012
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Cornell University Press
Elliott Schreiber explores Karl Philipp Moritz's many contributions to the intellectual evolution of the Enlightenment and positions the German thinker as an incisive early observer and theorist of modernity.

Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785–90) and for his treatises on aesthetics, foremost among them Über die bildende Nachahmung des Schönen (On the Formative Imitation of the Beautiful), published in 1788. In this treatise, Moritz develops the concept of aesthetic autonomy, which became widely known after Goethe included a lengthy excerpt of it in his own Italian Journey (1816–17). It was one of the foundational texts of Weimar classicism, and it became pivotal for the development of early Romanticism.

In The Topography of Modernity, Elliott Schreiber gives Moritz the credit he deserves as an important thinker beyond his contributions to aesthetic theory. Indeed, he sees Moritz as an incisive early observer and theorist of modernity. Considering a wide range of Moritz's work including his novels, his writings on mythology, prosody, and pedagogy, and his political philosophy and psychology, Schreiber shows how Moritz's thinking developed in response to the intellectual climate of the Enlightenment and paved the way for later social theorists to conceive of modern society as differentiated into multiple, competing value spheres.

Book News
Schreiber (German studies, Vassar College) presents a study of an underappreciated 18th-century German writer, Karl Philipp Moritz, with a focus on his contributions to aesthetic theory, pedagogy, psychology, political philosophy, and how we study/understand institutions. He argues that Moritz takes Goethe's idea of the "transformative instant" (Augenblick) and freezes it to capture the sense that art actually provides a self-enclosed space of refuge from modernity's incessant upheaval. He also considers Moritz's mythological theory and its relationship to German classicism. Later chapters turn to Moritz's epistemological and pedagogical theories. Annotation ©2013 Book News, Inc., Portland, OR (

Publisher: Ithaca, N.Y. : Cornell University Press : Cornell University Library, 2012
ISBN: 9780801466014
Characteristics: 1 online resource


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